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Jingle, Jangle, Jingle Written by Joseph Lilley and Frank Loesser Performed by Kay Kyser Sony/ATV Harmony (ASCAP). Sawyer and Nathaniel Chapman Courtesy of Bethesda Softworks LLC It's a Sin to Tell a Lie Written by Billy Mayhew Performed by The Ink Spots (C) 1936 (Renewed) WB Music Corp. Sawyer Courtesy of APM Music Home on the Wastes Written by J.E. Sawyer Lyrics published by Bethesda Softworks LLC Performed by J.E.

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Under license from EMI Film & Television Music Cobwebs and Rainbows Music by Dick Stephen Walter Lyrics by J.E. Courtesy of Columbia Records By Arrangement with Sony Music Licensing Blue Moon Written by Richard Rodgers and Lorenz Hart Performed by Frank Sinatra Used by Permission of EMI Entertainment World, Inc. (BMI) All Rights Administered by Unichappell Music Inc, Mariposa Music, Inc. Under license from EMI Film & Television Music Big Iron Written and Performed by Marty Robbins (C) 1958 Unichappell Music Inc. (ASCAP) Courtesy of Capitol Records, Inc. Radio New Vegas Ain't That a Kick in the Head? Written by Sammy Cahn and James Van Heusen Performed by Dean Martin Maraville Music Corp. See the pages for the radio stations, or see the songs page for correct track information. Note: The track listings in the credits do not accurately reflect the playlist for those stations. Music supervision and clearance was done by Christopher S. ĭespite the game having numerous references to Elvis Presley, developer Jason Bergman revealed on the Bethesda forums that performance rights to any of Elvis' songs would be too costly. ĭeveloper Joshua Sawyer contrasted the music choice of Fallout 3 as having a "goofy upbeatness" of the '30s and '40s, while New Vegas focused the crooner-style Rat-Pack-late '50s, as well as bluegrass and country music from the '40s to the '50s. Audio director Scott Lawlor was responsible for the inclusion of the ambient tracks by Mark Morgan from Fallout and Fallout 2. In addition to 80 minutes of new score, Bethesda and Obsidian got the rights to integrate the previous scores from earlier Fallout games. Regarding the period tracks: "the score for New Vegas is basically portraying more of the psychological place that we want the player to be and the songs are giving them more of the adventure of the era." The result is "quite a twangy, a little Western, but a very twisted western sound." In comparison to Fallout 3, Fallout: New Vegas went for a smaller scale using sound design synthesizers, The Lyris Quartet providing the strings and a few guitars. Inon Zur reprised his role for composing the orchestral score.

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Download the complete soundtrack as a 51.5 MB.

Many of the Fallout tracks were later reused in Fallout 2 and Fallout: New Vegas soundtracks.

The track "Vats of Goo" seems to be a toned down, beat-for-beat version of " Alternative 3" by Brian Eno from his album Music for Films.

The track "Underground Troubles" takes inspiration from the composition of " Matchsticks" by Aphex Twin from his album Selected Ambient Works Volume II while overlaying it with various other samples.

The track "Radiation Storm" stretches and slows the first half of " Lichen" by Aphex Twin from his album Selected Ambient Works Volume II while overlaying it with various other samples.

The track "Followers Credo" samples the string elements from " Trees" by Aphex Twin from his album Selected Ambient Works Volume II.

The track "City of the Dead" has a similar composition as " Tassels" by Aphex Twin from his album Selected Ambient Works Volume II but with the prominent oscillation of a synthesizer removed.

The track "Moribund World" takes heavy inspiration from " Window Sill" by Aphex Twin from his album Selected Ambient Works Volume II.

The track "City of Los Angeles" seems to be a slower, slightly modified and edited version of " Grass" by Aphex Twin from his album Selected Ambient Works Volume II.

The track "Desert Wind" appears to be a retooled version of " Grey Stripe" by Aphex Twin from his album Selected Ambient Works Volume II.

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The track "Desert Wind" contain sample of sound FX from the song "Mirror Image" in John Carpenter's movie " Prince of Darkness" (the sound comes approximately at 3:13mn until 4:04mn).The soundtrack CD did not include the intro song, "Maybe," which can be found in the in-game music files.Maybe, a song by The Ink Spots, not included on disc.